Saturday, April 30, 2011

Edwin Longsden Long (1829-1891)

This English artist has addressed several topics related to Spain, Middle East and ancient gods. A great part of his collection is on display in Bournemouth at Roussel-Cotes Art Gallery.


Este pintor inglês abordou temas diversos relacionados com a Espanha, Próximo Oriente e deuses de outrora. Grande parte da sua colecção encontra-se exposta em Bournemouth na Roussel-Cotes Art Gallery.

Edwin Longsden Long (1829-1891)-'the date seller'-oil on canvas Private collection

Edwin Longsden Long (1829-1891)-'love's labour lost'-oil on canvas-1885 New York-Dahesh Museum

Edwin Longsden Long (1829-1891)-'an Egyptian feast'-oil on canvas-1877 Bradford-Cartwright Hall Art Gallery

Edwin Longsden Long (1829-1891)-'Ale the attendant of sacred Ibis in the temple of Isis'-oil on canvas Private collection

Edwin Longsden Long (1829-1891)-'preparing for festival of Anubis'-1889-oil on canvas Private collection

Dad can remember Mother's Day too :)

-Sex toys - EdenFantasys adult toys store

Mother's Day is almost here. In our home, Daddy takes the kids out to buy a gift for me for Mother's Day. In recent years, he also has a gift for me from him. Normally flowers. It's very nice that he acknowledge me and says thank you for being a Mother of our children.

With toys for couples, sexy lingerie, sensual products, Dad can remember Mother's Day too!

While gifts from EdenFantasys aren't what you might typically think of as Mother's Day gifts, they certainly can be. Flowers can't give massages!

Create a romantic evening, or just purchase products for Mom's me time.

EdenFantasys offers free shipping on orders $59 and over.

Friday, April 29, 2011

Actaeon and Artemis (Actéon e Artémis)

Artemis was born in the island of Delos before Apollo, her twin brother. Renamed Diana by the Romans, she formed a trio with other deities: Egeria, water nymph; Virbio, god of the woods. The shepherd Actaeon died when he saw her bathing naked with other nymphs. Artemis turned him into a deer and caused his second death while enabling his dogs to devour his body.


Artémis nasceu na ilha de Delos antes de Apolo, seu irmão gémeo. Diana para Romanos, formava trio com outras divindades: Egéria, ninfa aquática; Virbio, deus dos bosques. O pastor Actéon morreu quando a viu banhar-se nua com outras ninfas. Transformou-o em veado e facilitou a sua segunda morte ao permitir que os seus cães de caça o devorassem.

Francesco Albani (1578-1680)-'Artemis and Actaeon'-oil on wood transferred to canvas-(1625-1630) Dresden-Gemäldegalerie

Joseph Heintz the Elder (1564-1609)-'Artemis and Actaeon'-oil on canvas-ca 1590 Wien-Kunsthistorisches Museum Gemäldegalerie

François Clouet (ca 1510-1572)-'Artemis in her bath'-oil on panel-ca 1550 Rouen-Musée des Beaux-Arts

Pietro Liberi (1605-1687)-'Artemis and Actaeon'-oil on canvas-1660 Berlin-Gemäldegalerie

Tiziano Vecellio (ca 1490-1576)-'Artemis and Actaeon´-oil on canvas-(1556-1559) Edinburgh-National Gallery of Scotland

NASA Satellite Sees Tornado Tracks in Tuscaloosa, Alabama


Deadly tornadoes raked across Alabama on April 27, 2011, killing as many as 210 people as of April 29. The hardest-hit community was Tuscaloosa. In an image acquired by the Moderate Resolution Imaging Spectroradiometer (MODIS) on NASA’s Aqua satellite on April 28, three tornado tracks are visible through and around the city.

The tracks are pale brown trails where green trees and plants have been uprooted, leaving disturbed ground. Though faint, the center track runs from southwest of Tuscaloosa, through the gray city, and extends northeast towards Birmingham. Two other tracks run parallel to the center track. The northernmost track is in an area where the National Weather Service reported a tornado, but no tornado was reported in the vicinity of the more visible southern track. In the southern region, strong winds were reported.

The tornadoes were part of a larger weather pattern that produced more than 150 tornadoes across six states, said the National Weather Service. The death toll had nearly reached 300 on April 29, making the outbreak the deadliest in the United States since 1974.

For more information visit http://www.nasa.gov/topics/earth/features/severe-storms-20110429.html

Twirl Into Spring With Old Navy Dresses & Crowdtap


Awesome right?!! I got this coupon for myself. I got to go pick a Spring dress - anything $40 and under. There were some super cute dresses to choose from! I ended up getting my free dress & buying one that I just had to have.

This seasons dresses are flowey , lots of cotton & linen - some what ethnic - Moroccan feel. Lots of tunic style cuts, which I really like. Natural, beachy - I loved them.



Along with my free coupon, I got three coupon to give to friends!! You can imagine the fun day that turns into! Shopping and dinner out with the girls - thank you Crowdtap & Old Navy!





You too can work your way up to brand ambassador & sampling. Just sign up at Crowdtap - where consumers and brands collaborate!

Update and A Wedding


There won't be a full, regular post from me today, I'm afraid, as I'm completely slammed with work (an unfortunate combination of deadlines appearing around Easter, a time at which it seems I'm the only classicist I know who needs three days out to go to church, and things that can't be predicted and have to be done straight away, like job applications and interview prep).

However, as you're all aware, there was a bit of an event in the UK today, which I've had on TV in the background as I sit at my computer. Since this was a High Church service, we got a bit of Latin in the singing! (High Anglican services are extremely similar to Catholic services, though I noted that this was a short-ish wedding service - all the Catholic weddings I've been to have been full Masses plus the wedding and take forever).

According to the official website, this was the piece:

The Anthem will be followed by the Motet ‘Ubi caritas’ by Paul Mealor, a Welsh composer, who is currently Reader in Composition at The University of Aberdeen.

Mr. Mealor’s composing studio is on the Isle of Anglesey, where Prince William and Miss Middleton live. This version of ‘Ubi caritas’ was written on Anglesey and premiered at the University of St. Andrews in November 2010.

Ubi caritas et amor, deus ibi est means 'Wherever there is peace and love, God is there.' There's a really nice Taize setting for it that we sang in church last Thursday and it's one of my favourite short refrains (because it's so nice!).

I was disappointed to see that no subtitles were provided for the Latin. I suppose the directors didn't want to spoil their pretty picture, but I thought it would have been nice to let the viewers know what, exactly, the choir was singing. (I don't know whether the commentators explained it or not, because I was concentrating on my work and not listening to them!).

On a non-Classics note, the bride's dress was completely gorgeous and I want one. Lovely.

Well, Prince William has broken my heart by not marrying me (and boy am I ever kicking myself for choosing the University of Birmingham over St Andrews) but I hope they have a very happy life together, and I hope my friends' weddings later this year go just as well!

Thursday, April 28, 2011

Gentile Bellini (ca 1429-1507)

The painter Gentile Bellini (ca. 1429-1507), Giovanni’s brother, served the Doge of Venice. As such, he was sent to Constantinople in order to execute the portrait of Sultan Mehmed II. He was Titian’s first master. His brother finished the picture of St. Mark the Evangelist.


O pintor Gentile Bellini (ca 1429-1507), irmão de Giovanni, esteve ao serviço do Doge da República de Veneza. Nessa qualidade enviaram-no a Constantinopla com a finalidade de executar o retrato do Sultão Mehmed II. Foi o primeiro mestre de Tiziano. Seu irmão terminou o quadro sobre o Evangelista São Marcos.

Gentile Bellini (ca 1429-1507)-'St Mark preaching in Alexandria'-oil on canvas-(1504-1507)

Gentile Bellini (ca 1429-1507)-'True Cross procession in Piazza San Marco in Venice'-tempera and oil on canvbas-1496 Venezia-Gallerie dell'Accademia

Gentile Bellini (ca 1429-1507)-'Madonna and Child enthroned'-oil on canvas London-National Gallery

Gentile Bellini (ca 1429-1507)-'the recovery of the relic of the Cross at the bridge of San Lorenzo-canvas-1500

Gentile Bellini (ca 1429-1507)-'recognition of the ambassador Domenico revisano at Alicatre-oil on canvas-(1479-1480) Paris-Musée du Louvre

NASA's Swift and Hubble Probe Asteroid Collision Debris


Late last year, astronomers noticed an asteroid named Scheila had unexpectedly brightened, and it was sporting short-lived plumes. Data from NASA's Swift satellite and Hubble Space Telescope showed these changes likely occurred after Scheila was struck by a much smaller asteroid.

"Collisions between asteroids create rock fragments, from fine dust to huge boulders, that impact planets and their moons," said Dennis Bodewits, an astronomer at the University of Maryland in College Park and lead author of the Swift study. "Yet this is the first time we've been able to catch one just weeks after the smash-up, long before the evidence fades away."

Asteroids are rocky fragments thought to be debris from the formation and evolution of the solar system approximately 4.6 billion years ago. Millions of them orbit the sun between Mars and Jupiter in the main asteroid belt. Scheila is approximately 70 miles across and orbits the sun every five years.

"The Hubble data are most simply explained by the impact, at 11,000 mph, of a previously unknown asteroid about 100 feet in diameter," said Hubble team leader David Jewitt at the University of California in Los Angeles. Hubble did not see any discrete collision fragments, unlike its 2009 observations of P/2010 A2, the first identified asteroid collision.

The studies will appear in the May 20 edition of The Astrophysical Journal Letters and are available online.

Astronomers have known for decades that comets contain icy material that erupts when warmed by the sun. They regarded asteroids as inactive rocks whose destinies, surfaces, shapes and sizes were determined by mutual impacts. However, this simple picture has grown more complex over the past few years.

During certain parts of their orbits, some objects, once categorized as asteroids, clearly develop comet-like features that can last for many months. Others display much shorter outbursts. Icy materials may be occasionally exposed, either by internal geological processes or by an external one, such as an impact.

On Dec. 11, 2010, images from the University of Arizona's Catalina Sky Survey, a project of NASA's Near Earth Object Observations Program, revealed Scheila to be twice as bright as expected and immersed in a faint comet-like glow. Looking through the survey's archived images, astronomers inferred the outburst began between Nov. 11 and Dec. 3.

Three days after the outburst was announced, Swift's Ultraviolet/Optical Telescope (UVOT) captured multiple images and a spectrum of the asteroid. Ultraviolet sunlight breaks up the gas molecules surrounding comets; water, for example, is transformed into hydroxyl and hydrogen. But none of the emissions most commonly identified in comets, such as hydroxyl or cyanogen, show up in the UVOT spectrum. The absence of gas around Scheila led the Swift team to reject scenarios where exposed ice accounted for the activity.

Images show the asteroid was flanked in the north by a bright dust plume and in the south by a fainter one. The dual plumes formed as small dust particles excavated by the impact were pushed away from the asteroid by sunlight. Hubble observed the asteroid's fading dust cloud on Dec. 27, 2010, and Jan. 4, 2011.

The two teams found the observations were best explained by a collision with a small asteroid impacting Scheila's surface at an angle of less than 30 degrees, leaving a crater 1,000 feet across. Laboratory experiments show a more direct strike probably wouldn't have produced two distinct dust plumes. The researchers estimated the crash ejected more than 660,000 tons of dust -- equivalent to nearly twice the mass of the Empire State Building.

"The dust cloud around Scheila could be 10,000 times as massive as the one ejected from comet 9P/Tempel 1 during NASA's UMD-led Deep Impact mission," said co-author Michael Kelley, also at the University of Maryland. "Collisions allow us to peek inside comets and asteroids. Ejecta kicked up by Deep Impact contained lots of ice, and the absence of ice in Scheila's interior shows that it's entirely unlike comets."

NASA's Goddard Space Flight Center in Greenbelt, Md., manages Hubble and Swift. Hubble was built and is operated in partnership with the European Space Agency. Science operations for both missions include contributions from many national and international partners.

For more information visit http://www.nasa.gov/topics/universe/features/asteroid-collision.html

Wednesday, April 27, 2011

Hurraw! All Natural. Organic. Vegan. Raw. Good. ~ Sun & Moon Balms ~ GIVEAWAY!!! ~ Ends 5/13 ~ 2 Winners!!!





I like many of you, am a self confessed lip stuff addict. I have one in my jacket pocket, two in my diaper bag, one in my purse, tons in my make-up dish, one on the bar in the kitchen, several in the bathroom, and I must always check my jeans pockets as I've ruined many pieces of clothing forgetting.


I can't think of many girls I've known who haven't been equally addicted. Several years of not seeing my cousin, we meet for drinks to catch up. I'd say 1/4 of our conversation was about what makes the perfect lip gloss. I asked my sister in-law in England for gift ideas - she says lip goodies that she hasn't tried from America. It's a common denominator, a bonding agent, the smooth, shiny, slickness that binds us. Ok, I'll stop - you get the point.

Hurraw! is to lip gloss what Jelly Belly is to Jelly Beans. So many fun flavors - the only bad thing is trying to choose!

I have licorice, lemon, grapefruit, root beer, & cinnamon. The balm is a treat for the lips - smooth & creamy, no pull, no goop, natural shine. The flavor is a treat for your mouth - who needs candy!

The ingredient list is raw, organic, Gluten Free, No GMO's, Kosher, & non-toxic. No petrol products. Lots of good for you stuff like olive & coconut oils, and naturally derived flavors. It's healthy & you can tell. I  <3 Hurraw! Balms :))

From the site:


Why Hurraw! is unique:

We hand mix and individually pour each tube of Hurraw! Balm. We truly care about the quality and integrity of our product and feel Hurraw! is the finest all natural, vegan, raw balm available...a great product to be used by everyone regardless of lifestyle or eating habits!


Sourcing honest, fair trade, organic, vegan and raw ingredients from reputable suppliers was difficult at best. We finally did it and we are thrilled to share the labors of our hard work with other balm lovin' individuals. Your purchase supports legit fair trade, organic farmers and suppliers here in the States and around the World. Thank you!

I'm excited to share with you -just launched today, Hurraw!'s Sun & Moon Balms!



We love the Sun. It's amazing. We believe limited, smart exposure is actually pretty o.k. for the skin. But for those long exposure times, our Sun Balm will give your lips the extra protection they need.


It glides on silky smooth (and clear) like our regular balms but we formulated it to be extra thick and creamy for longer staying power while out in those shining rays! Juicy Tangerine and calming Roman Chamomile extract make it super delish for your lips. Did we mention it is packed full of amazing cold pressed oils to moisturize, protect and heal your lips?

Red Raspberry Seed oil: Exceptionally high in tocopherols, this lovely oil nourishes the lips, is anti-inflammatory and proven to help in the absorbance of the Sun's rays.

Sea Buckthorn oil: Super rich and off the charts in essential fatty acids, carotenes, tocopherols, and phytosterols which are great for healing sun-damaged lips.

Pomegranate Seed oil: Deeply penetrating and an anti-oxidant powerhouse; remarkable for the outer epidermal layer of the lips.

We use non nano Zinc Oxide in our Sun Balm. Zinc Oxide is the only all natural, broad spectrum (blocks both UVA and UVB) sun screen available today. Zinc Oxide is a mineral. It protects your lips by sitting on top of them and thus, provides a physical barrier against UVA and UVB rays. It actually deflects the rays away from the skin to prevent any harm. For adequate protection it must be applied often.


A good night's sleep can be the best thing ever. It's even better when you have lip balm on! We have been using our Moon Balm Formula for years and thought other lip balm lovers would dig using a Night Treatment Balm as well.


Extra thick, creamy and rich; this balm has some serious staying power. The Vanilla and Peru Balsam scent will lull you to sleep. Azulene packed Blue Chamomile lends a gorgeous green-blue color and soothes your lips for some true beauty z's!

Check out what it's packin'...

Avocado Oil: Thick and vitamin rich, exceptionally high in Vitamins A & E. Highly recommended for sensitive and problem lips; rich in essential fatty acids.

Rosehip Seed Oil: Combats dry lips and has amazing anti-aging and rejuvenation properties. Proven to regenerate skin, reduce scars, knock out wrinkles and UV damage.

Meadowfoam Seed Oil: Amazing moisturizing and rejuvenating capabilities. Loves to adhere to lips making it a great assistant in preventing night time moisture loss.

Argan oil: Berber women Fair Trade harvest this amazing oil while the profits go back into preserving the argan forests. Super restorative; perfect to use at night!


Just in time to welcome the rays of the sun - protect & restore!


BUY IT:

You can purchase Hurraw! Balms online @ http://www.hurrawbalm.com/ or find a retail location near you :) Makes a perfect fun gift for anyone. Imagine the stocking stuffer potential! And for your health minded friends & family, they'll love you to pieces!

WIN IT!!!

Two lucky winners will receive a Sun & Moon Balms pack for themselves :)))

MAIN ENTRY:

Visit Hurraw! and tell me which flavor you'd love to try & become a friend @ Wishing Penny via Google Friend Connect. Both parts mandatory to win - thanks :)

EXTRAS:

*Like/Fan Hurraw! Balm @ Facebook ( 3 bonus entries )

*Like/Fan Me @ Facebook ( 2 bonus entries )

*Visit Hurraw! and tell me the closest location to you to buy Hurraw! ( 2 bonus entries )

*Follow me @jamaise at Twitter & Tweet this :  RT @jamaise #GIVEAWAY #WIN Hurraw! All Natural. Organic. Vegan. Raw. Good. ~ Sun & Moon Lip Balms ~ GIVEAWAY!!!  ~ http://bit.ly/m2kPta Ends 5/13  tweet each day for one entry each !

*Subscribe to Wishing Penny via email and or reader ( 2 bonus entries each )

*Blog about this giveaway & leave me the link ( 5 bonus entries)

*Grab my button & tell me where to find it ( 2 bonus entries )

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*Enter any other giveaway here for one entry each


That's 9 entry methods with tons of bonus & a chance for unlimited entries with daily tweets!


Giveaway will end on May 13 at 12 pm EST. Winner will be selected using Random .org. I will email the winner & you will have 48 hours to reply back before I draw a new winner . Please remember to leave me your email address if it is not visible on your profile so that I can contact you if you win. Good luck to everyone :)


Disclaimer: Hurraw! provided me with all information and product to review. I was under no obligation to review it if I so chose. Nor was I under any obligation to write a positive review or sponsor a product giveaway in return for the free product.

Majas

At the time of Goya (18-19th century) the Spanish society, particularly in Madrid, used the term “majas” to people of low social status. They distinguished themselves by their clothing and behavior. “Majos” were called “Frenchified” (under French influence).


Na época de Goya (séc. XVIII-XIX) a sociedade espanhola, principalmente a Madrilena, atribuía o termo 'majas' às pessoas de baixa condição social. Distinguiam-se pelo seu vestuário e comportamento. Aos 'majos' chamavam 'afrancesados' (Frenchified).

Francisco José de Goya y Lucientes (1746-1828)-the naked Maja'-oil on canvas-(1797-1800) Madrid-Museo del Prado

Francisco José de Goya y Lucientes (1746-1828)-'Majas on a balcony'-oil on canvas-(1808-1812) Madrid-Museo del Prado

Francisco José de Goya y Lucientes (1746-1828)-'the clothed Maja'-oil on canvas Madrid-Museo del Prado

Francisco José de Goya y Lucientes (1746-1828)-'Maja y los embozados' 'Maja and muffleds'-oil on canvas Madrid-Museo del Prado

Ignacio Zuloaga y Zabaleta (1870-1945)-'reclining Maja with blue and gold'-oil on canvas Private collection

Five Things About NASA's Voyager Mission


Here are five facts about NASA's twin Voyager 1 and 2 spacecraft, the longest continuously-operating spacecraft in deep space. The Voyagers were built by NASA's Jet Propulsion Laboratory in Pasadena, Calif., which continues to operate both spacecraft.

Long-Distance Space Runners
Voyager 2 launched on Aug. 20, 1977, and Voyager 1 launched about two weeks later, on Sept. 5. Since then, the spacecraft have been traveling along different flight paths and at different speeds. Now some 17.4 billion kilometers (10.8 billion miles) from the sun and hurtling toward interstellar space, Voyager 1 is the farthest human-made object from Earth. Voyager 2 is about 14.2 billion kilometers (8.8 billion miles) from the sun.

Can You Hear Me Now?
Both spacecraft are still sending scientific information about their surroundings through NASA's Deep Space Network. A signal from the ground, traveling at the speed of light, takes about 13 hours one way to reach Voyager 2, and 16 hours one way to reach Voyager 1.

Planetary Tour
The primary five-year mission of the Voyagers included the close-up exploration of Jupiter and Saturn, Saturn's rings and the larger moons of the two planets. The mission was extended after a succession of discoveries, and between them, the two spacecraft have explored all the giant outer planets of our solar system -- Jupiter, Saturn, Uranus and Neptune, 49 moons, and the systems of rings and magnetic fields those planets possess.

The current mission, the Voyager Interstellar Mission, was planned to explore the outermost edge of our solar system and eventually leave our sun's sphere of influence and enter interstellar space – the space between the stars.

The Golden Record
Both Voyager spacecraft carry recorded messages from Earth on golden phonograph records – 12-inch, gold-plated copper disks. A committee chaired by the late astronomer Carl Sagan selected the contents of the records for NASA. The records are cultural time capsules that the Voyagers carry with them to other star systems. They contain images and natural sounds, spoken greetings in 55 languages and musical selections from different cultures and eras.

Where No Spacecraft Has Gone Before
Voyager 1 has reached a distant point at the edge of our solar system, where the outward motion of solar wind ceases. The event is the latest milestone in Voyager 1's passage through the heliosheath, the outer shell of the sun's sphere of influence, before entering interstellar space. Interstellar space begins at the heliopause, and scientists estimate Voyager 1 will cross this frontier around 2015.

For more information visit http://www.nasa.gov/mission_pages/voyager/voyager20110427.html

Prophet Muhamad (Maomé)

He was born in Mecca in 570 and died in Medina in 632 at the age of 62. He belonged to the Hashemites clan. His full name as prophet includes the expression “Abd Allah” or “God’s servant”. Muhammad means “Praiseworthy”. He had a revelation from the Angel Gabriel before composing the Alcoran. After his death his followers split up into two groups: the Sunni and the Shia.


Nasceu em Meca em 570 e faleceu em Medina aos 62 anos em 632. Pertencia ao clã dos Hachemitas. O nome completo do Profeta inclui 'Abd Allah' ou 'servo de Deus'. Muhamad significa 'Louvável'. Recebeu revelação do Anjo Gabriel antes de compor o Alcorão. Após o seu falecimento os seus seguidores cindiram-se em dois grupos: Sunitas e Xiitas.

Turkish unknown-'newly born Mohammed in his mother' arms being shown to his grandfather and Meccans'-miniature San Diego-University of California

Persian unknown (16th century in Fahameh)-'Mohammed splits the Moon'-miniature Washington-The Library of Congress

Turkish unknown (16th century)-'the Angel Gabriel cleansing Mohammed's heart opf impurities in preparing for his ascent to Heaven'-miniature in The Progress of the Prophet

Unknown (Tabriz 1539-1543)-'Mohammed ascending to Paradise astride the miraculous horse Buraq, surrounded by Angels'-miniature London-British Library

Unknown-'the day of the Last Judgment'-miniature Tehran-Reza Abbasi Museum

Tuesday, April 26, 2011

NASA Invites Public to Journey Toward Interstellar Space


NASA will hold a special NASA Science Update at 10 a.m. PDT (1 p.m. EDT) on Thursday, April 28, to discuss the unprecedented journey of NASA's twin Voyager spacecraft to the edge of our solar system.

The event will be held at NASA Headquarters in Washington and will be broadcast live on NASA Television and streamed at http://www.nasa.gov . In addition, the event will be carried live on Ustream, with a live chat box available, at http://www.ustream.tv/nasajpl2 .

After 33 years in space, the spacecraft are still operating and returning data from about 16 billion kilometers (10 billion miles) away from our sun. The Voyagers also carry a collection of images and sounds from Earth as a message to possible life elsewhere in the galaxy.

The participants are:
-- Ed Stone, Voyager project scientist and professor of physics, California Institute of Technology, Pasadena, Calif.
-- Ann Druyan, creative director, Voyager Interstellar Message Project; Carl Sagan's co-author and widow
-- Suzanne Dodd, Voyager project manager, NASA’s Jet Propulsion Laboratory, Pasadena, Calif.
-- Merav Opher, Voyager guest investigator and assistant professor of astronomy, Boston University

For more information visit http://www.nasa.gov/mission_pages/voyager/voyager20110426.html

Spartacus Gods of the Arena: The Bitter End


The finale of Spartacus: Blood and Sand's prequel series managed to surprise me again, which was nice, and was suitably dramatic with enormous amounts of fake blood all over the place. Less sex this week though, everyone was far too busy to have time for that.

We open with Pater's funeral, at which Not!Octavian, on behalf of Max from Neighbours, turns up to demand Gannicus, or ban Batiatus from the Games for good. Xena, meanwhile, smirks and grins evilly with such relish that Batiatus is truly blinded by grief, love or both not to see it. DSG has been mourning his wife somewhat more quietly, while Gannicus prowls around in the background.

Batiatus gives his dad the traditional Spartacus funeral, surrounded by gladiators in their tiny panties. (Other elements of the ceremony, like the death masks of their ancestors, are more accurate). Batiatus announces that he's overturning previous decisions, and no one, not even Big Silly Beard Man, is going to the mines. Then he sets the gladiators against each other to fight in honour of his father, which makes sense, as gladiatorial combat originated in funeral rites and Games continued to be celebrated in honour of the dead throughout Roman history. Crixus is still sulking about Gannicus giving up instead of getting beaten properly, and Gannicus, unsurprisingly, is fed up of hearing about it.

Gannicus tells Batiatus he wants to be sold to Max so he can off him, in revenge for Wife. Batiatus points out the sale will send him to Not!Octavian and he'll be sent off to Nola for who knows how long, but Gannicus has obviously seen Gladiator and is quite happy to wait until an opportunity to stab Max in the back presents itself.

Earring tells Xena she's welcome to come stay with him if she needs to, trying and failing not to look pervy while doing so. He has guessed that Max might not have poisoned the wine, but he suggests Not!Octavian did it instead, and everyone misses the look of panic that crosses Xena's face. Batiatus and Earring go off to scheme together and Xena re-brands Naevia to be her new body slave. Xena tells Naevia she understands why her former slave left, but can't forgive it - but she does promise that she'll only give Naevia to the best men and will preserve her viriginity for a good while.

Earring tells Max and Not!Octavian that Gannicus is being sent far away, which makes Max quite cross, and he is only prevented from skewering Earring like a kebab right there when he's assured the ship hasn't left yet. Not blessed with too many brains, that one.

Batiatus, Gannicus, DSG and Barca hang around waiting for Max to walk into their trap while Gannicus sulks that no one liked his plan. Max, Not!Octavian and Earring wander into the square and are ambushed by the Silly Beard Men, and general violence breaks out. Since they've picked a very dark back alley for this game, it's quite hard to see what's going on, but Barca seems to take a pretty nasty stab wound at one point; the man must be made of steel to have survived that. DSG gets hold of Max but Batiatus has truly gone over to the dark side and wants to torture him first because, being a Roman, he's never seen a James Bond film and doesn't realise it's best to kill people straight away if you really want rid of them.

Earring visits Not!Octavian, who is hanging by his wrists, to have a little chat. They don't seem overly keen to kill him, as they want him to claim that Max has set sail for Antioch, and Earring also has 'personal matters' (i.e. betraying Batiatus) to discuss with him.

Xena is still trying to get pregnant by Crixus, and still claiming she's only doing it out of necessity. Crixus tells her he sees her as a woman unlike any he's ever met before and she chooses to take this as a compliment. Xena demands that he get a shave and a haircut and off come the tiny panties.

Max does not take well to having the ashes of Batiatus' father literally shoved down his throat (and nor would Pater, one suspects, if he knew about it. Clearly, Batiatus is not a religious man, as proper burial was extrememly important in the ancient world, and being ingested by a torture victim probably doesn't count as a proper burial). Max tries to point out he didn't do it, but no one believes him and they stab him and then bury him alive in the foundations of the new arena.

We cut to the opening of the new arena, where Not!Octavian does his job perfectly, though he still manages to put the verbal boot in once more by calling being a lanista 'low'. He also reveals that he's transferred all his gladiators to Earring, which was not part of Batiatus' plan, and Batiatus makes a face as if he's just eaten some bad meat. Earring tells Not!Octavian not to come back while he's alive, which, since he's been offed in the main series, may mean we see him again in season 2. Earring explains to Batiatus exactly what he thinks of him and Batiatus makes the face again - you'd think, after helping him get rid of Max, he'd be more wary of Batiatus really.

There's to be an execution before the Games begin and Naevia's unfortunate friend has been caught and is about to be executed. It's a shame, as it would have been nice to see her again in season 2, but it makes the point - that running away frequently ends badly and deciding to do so is not a simple decision. She does manage to nod goodbye to Naevia before meeting her (surprisingly quick and simple, for a theatrical execution) end.

Barca is still walking, but not fighting, what with the massive gaping stomach wound he got brawling with Max and his men. Gannicus tells DSG he no longer wants to fight and die for the house of Batiatus and DSG tells him to fight in the memory of Wife instead. Crixus, who has finally got rid of the Jesus look at Xena's request, is up first.

The Games are to open with a series of fights to the death between Batiatus' and Earring's gladiators. We see a series of fights accompanied by the traditional rock soundtrack and interspersed with splashes of fake blood flung all over the camera. There's gouging, stabbing, chopping, red stuff flying out in fountains and everyone fights with a helment except Gannicus, so we can see which one he is. The director is so intent on the bloodshed in the arena, we don't even see any women in the crowd with their tits out, though we do get the odd shot of the rich guy's perverted friend doing his best impression of Joaquin Phoenix in Gladiator (there are a lot more similarities to Gladiator than usual this week).

Crixus is relishing the idea that once they've got rid of all Earring's men, he will get to fight Gannicus. They then carry on fighting even though it's nightime and floodlights have not yet been invented. It's all very dramatic but not terribly practical, as there's just no way anyone would be able to see them properly. They've also broken out some really special underwear, which is longer than the tiny panties and colour coded so we can see who's on which team.

The gladiators from both houses are gathered together in the middle of the arena and then a fire is lit in a circle all around them (created using oil, presumably, since it pours nicely and petrol also hasn't been invented yet). This does at least explain how the spectators are expected to see them, though it doesn't seem very safe in a brand new, partly wooden structure in a hot, dry climate.

The music gets really quite excited at this point and brings in the choir, and the women in the audience finally get excited enough to get their tits out again. The Sily Beard Men (Big one identifiable by the bandage over his eye) start attacking each other, which doesn't make Batiatus look good at all, and then there's some very dramatic stuff with a flaming net, at which point I'm glad Mum isn't watching this series with me, as she hates fire. The circle of fire, I should add, is behaving remarkably well despite the dry sand it's been lit on. Earring and Rich Perverted guy have a good old laugh at the fact Batiatus' men keep fighting each other while heads get chopped and gladiators jump dramatically in slow motion.

Finally, only Crixus, Gannicus and one of Earring's men are left standing. Crixus gets wounded and Gannicus throws him out of the circle (miraculously, without him touching the flames) and takes on Earring's man. He then get comprehensively beaten, while the crowd get so excited they start brawling with each other. Gannicus is still alive, though, so he nods to DSG and gets up again, killing Earring's man with a spear through the mouth while the choir on the soundtrack get really, really excited. The guy's chin sorts of breaks and falls off (you can hear the cracking sound) and down he goes, and Gannicus stands triumphant in the middle of a carpet of bodies.

Gannicus has won and everyone is very happy except for Crixus and Earring. Earring suggests they should free Gannicus, which is pretty fair, actually, and the crowd go wild. Batiatus makes the bad food face again, as does Xena, and Gannicus looks like he's not quite sure what to do with himself.

Back at the ludus the next day, Xena and Batiatus sulk at the fact Gannicus actually wants to leave, but Xena cheers them by suggesting they focus on Crixus instead. Poor Barca insists he'll join Gannicus one day (sniff) and Crixus is still sulking that they haven't had a proper fight yet, so Gannicus tells him to win his own freedom and come find him - so we'll see Gannicus again in season 2. That's nice, I hadn't expected that. We see Gnomey Silly Beard Man limping in the background, reminding us that he pretty much hates everybody. DSG gives Gannicus his wooden sword, the symbol of his freedom, and he and Gannicus make plans to meet up with Wife and each other in the afterlife (I wonder if there's a designated spot for finding your loved ones in the afterlife, since everyone seems so confident of finding each other there despite what must be some serious over-population).

Gannicus walks off into CGI Capua and DSG cracks his whip Symbolically to start the day's training. Batiatus handily insists that he never wants to hear the names of Gannicus, Max or Not!Octavian again, which explains why no one's ever referred to them in the main series. Batiatus speechifies about how he looks forward to a better future, and he declares that they'll get just reward for what they've done, and we cut to the Blood and Sand shot of him and Xena lying dead (actually, Xena's only nearly dead, her mouth's still moving) on their own floor, covered in blood and holding hands, while we hear Spartacus declaring that he will see Rome tremble.

This was an effective finale, which surprised me by letting Gannicus escape alive - I thought for sure he was a goner. Presumably, this means he will turn up in season 2 at some point and possibly the truth will come out about Wife and him and even Xena, since no one's caught her yet and on TV, poisoners are always caught by someone, even if they get away with it overall (even Livia 'fessed up to Claudius). It's nice seeing a gladiator actually get properly, legally freed and the final shots are very effective - though the sense of tragedy we were made to feel at Batiatus and Xena's deaths in the first episode is undercut in this last one by the reference to Barca's hopes for freedom and Batiatus' reference to a just reward for all they've done, which does rather put you back on Spartacus' side. I wonder if Gannicus will turn out to have signed up for the army and if he will fight or even kill Crixus (though it would be more satisfying if Crixus killed or just defeated him - I like Gannicus, but I like Crixus more and it's strangely frustrating watching him itch to beat Gannicus all series and never getting to do it). All in all, a good job, though let down for me a bit by things that are daft to the point of ridiculousness - chiefly the final showdown, which was all very dramatic, but totally impractical in an era without electricity or fire extinguishers.

Now that appetites have been thoroughly wetted for season 2, it'll be interesting to see how the show fares without the structure of the ludus and the arena. Hopefully the character conflicts set up here will help to hold the thing together and the CGI artists won't get too overworked having to create actual different locations as Spartacus' group start to move around Italy...

Monday, April 25, 2011

New Hermitage (ancient and Italian art)

After its opening in the mid-19th century the rooms were painted in watercolour by Edward Petrovich Hau (1807-1888).


Após a sua abertura em meados do séc. XIX as suas salas foram pintadas a aguarela por Edward Petrovich Hau (1807-1888).

Edward Petrovich Hau (1807-1888)-'the gallery of the history of ancient painting'-watercolor-1859

Edward Petrovich Hau (1807-1888)-'the room of Italian art'-watercolor-1853

Edward Petrovich Hau (1807-1888)-'the study of Italian art'-watercolor-1856

Edward Petrovich Hau (1807-1888)-'the study of Italian art'-watercolor-1859

Edward Petrovich Hau (1807-1888)-'the study of Italian art'-watercolor-1860

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Easter Procession in Russia

The Russian Orthodox Christians celebrate the Resurrection of Jesus Christ with appropriate processions for the most important event of Christianity.


Os Cristãos Ortodoxos Russos comemoram a Páscoa da Ressurreição de Jesus Cristo com procissões adequadas ao acontecimento mais importante do Cristianismo.

Ilya Repin (1844-1930)-'Easter procession in the region of Kursk'-(1880-1883)

Vasily Gregorevich Perov (1834-1882)-'Easter procession in a village'-oil on canvas-1861 Moscow-Tretyakov Gallery

Vladimir Yegorovich Makovsky (1846-1920)-'Easter procession in Ukraine'-oil on canvas Sevastopol-Kroshitsky Art Museum

Karl Fridrikh Petrovich Bodri (1812-1894)-'Easter procession at the Maria Annunciation Cathedral in Moscow'

Alexei Petrovich Bogolyubov (1804-1896)-'Easter procession in Yaroslav'-oil on canvas-1863